The 1991 blockbuster Sadak starred Sanjay Dutt, Pooja Bhatt, Sadashiv Amrapurkar, Deepak Tijori and Neelima Azeem.
Mahesh Bhatt is all set to make a remake of his 1991 superhit movie, 'Sadak' and the flick will hit the theatres on November 15, 2019.
Confirming the news, film critic and trade analyst took to Twitter and wrote,"IT'S OFFICIAL... #Sadak2 to release on 15 Nov 2019... Lead cast and other details will be announced shortly... Produced by Mukesh Bhatt... Mahesh Bhatt in association with Vishesh Films presents the film."
The 1991 blockbuster starred Sanjay Dutt, Pooja Bhatt, Sadashiv Amrapurkar, Deepak Tijori and Neelima Azeem.
The movie was based on the life of a young man who falls in love with a sex worker. He was forced to overcome the social stigma as well as face the brothel owner and some criminal elements.
Earlier, in a master class with director Hansal Mehta, Bhatt shared his unfiltered opinion on filmmaking.
"Every film is a separate project, a different river that you need to learn to navigate afresh. Even a director who has previously created a film of critical/commercial acclaim might not receive the same laurels for his next movie," he said in a statement.
Mahesh Bhatt is all set to make a remake of his 1991 superhit movie, 'Sadak' and the flick will hit the theatres on November 15, 2019.
Confirming the news, film critic and trade analyst took to Twitter and wrote,"IT'S OFFICIAL... #Sadak2 to release on 15 Nov 2019... Lead cast and other details will be announced shortly... Produced by Mukesh Bhatt... Mahesh Bhatt in association with Vishesh Films presents the film."
The 1991 blockbuster starred Sanjay Dutt, Pooja Bhatt, Sadashiv Amrapurkar, Deepak Tijori and Neelima Azeem.
The movie was based on the life of a young man who falls in love with a sex worker. He was forced to overcome the social stigma as well as face the brothel owner and some criminal elements.
Earlier, in a master class with director Hansal Mehta, Bhatt shared his unfiltered opinion on filmmaking.
"I don't want to be in a position where someone calls me a master. Not out of some bogus humility, but because I don't want people to confine their outlook, their creative ideas to a limited world. Whatever I experienced was true to my life, it might not be of importance to another person since there is no compass, no map to learn filmmaking.”
"Every film is a separate project, a different river that you need to learn to navigate afresh. Even a director who has previously created a film of critical/commercial acclaim might not receive the same laurels for his next movie," he said in a statement.
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